DEL LUMANTA : GREATEST PITS

Mix #14:

Posted in Uncategorized by supergoing on February 4, 2011

Track list:

1. The Chiffons – ‘I Have A Boyfriend’
2. The Ad-libs – ‘The Boy From New York City’
3. The Marvelettes – ‘Beechwood 4-5789’
4. The Angels – ‘My Boyfriend’s Back’
5. The Ikettes – ‘Blue on Blue’
6. The Rosettes – ‘You Broke My Heart’
7. The Shangri-Las – ‘Sophisticated Boom Boom’
8. The Chordettes – ‘Mr. Sandman (Bring Me A Dream)’
9. The Chiffons – ‘He’s So Fine’
10. Linda Scott – ‘I’ve Told Every Little Star’
11. The Ikettes – ‘Never More Will I Be Lonely For You’
12. Diane Ray – ‘Please Don’t Talk To The Lifeguard’
13. The Cookies – ‘Girls Grow Up Faster Than Boys’
14. Ginny Arnell – ‘Dumb Head’
15. The Toys – ‘A Lover’s Concerto’
16. The Chiffons – ‘Love So Fine’
17. Joanie Sommers – ‘Johnny Get Angry’
18. PP Arnold – ‘The First Cut Is The Deepest’
19. Peanut – ‘Thank Goodness For The Rain’
20. The Dixie Cups – ‘People Say’
21. The Ronettes – ‘Baby I Love You’
22. The Ikettes – ‘I’m So Thankful’

Get it!

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Incision

Posted in Uncategorized by supergoing on February 1, 2011

An exhibition of photography, illustration, and sculpture by Sean Batchelor, Del Lumanta, Isobel Parker Philip and Daryl Prondoso that dissects the cut and what it exposes.

‘Incision’ is a surgical term, referring to a cut that perforates the surface of a body’s skin or flesh. It is an entry point, a means through which the inside and the outside, the internal body and the external body, collapse into one another. It is through an incision that we are able to see things that are invisible to the naked eye, things that are concealed and hidden away – the shapes of our organs and the patterns of our cells.

A cut – an incision – is violent. It splits and ruptures a surface, dividing it in two, yet it is also generative. In an incision we witness the emergence of the invisible and the internal. An incision allows the unknown to rise to the surface and to slip out of the cracks.

The exhibition Incision directs its attention to the cut and what seeps out of it. Here paper has replaced the body – it is paper that is being sliced open, not flesh. Paper has become skin to be punctured. Each artist has anatomized the moment of the cut, the split, and its aftermath – the emergence of the invisible and the unknown.

Incision is not concerned with the ‘cut’ as a simple action, as an abrasive gesture, but as a complex phenomenon that prioritizes the reveal and the probe as much as it does the penetration and the split.

By metaphorically aligning paper with human skin we are not only exploring how the body is affected, or rather transformed, by an incision, but we are investigating the fragile nature of paper itself. For while paper is almost exclusively treated as a surface on which images and words are placed it too can be opened up, dissected, punctured and perforated. It too has wounds.

Words by Isobel Parker Phillip

I will be showing old work and some new stuff too.